Ideas Factory/ the foundry

29 on the go · 3 materials
nothing here is finished

The foundry floor at night. Seventeen ideas hang as pods from cables over a lake, with the lit workshop standing in front of them on the right, the works index down the left and the assembly line of tiles along the foot.

← the floorif / 057·AI and software·running

Ideas Factory

Somewhere for the ideas to go, in public, so that they get finished.

drawing057made oflit glassplates4drawn12 Sep 2026personalwritingstatic

The screen

the card's own material, at page scale

> open ideas/057-ideas-factory --line machine

Ideas Factory

runningAI and software12 Sep 20265 updatesidea_057

The brief

running · rev F

This site.

Ideas were going into notes apps, voice memos and the backs of envelopes, which is a reliable way to lose them. So: one place they all go, markdown in a repo, built out to plain static files with nothing running at request time.

A public working notebook rather than a portfolio. Things half-formed on purpose, in whatever state they are actually in, with the status stamped on the top of each one.

Publishing it is the point. A private list applies no pressure at all.

the apparatus

It used to be a feed. Cards fell down the page, and what you got was whatever the scroll position made of them — an idea arrived, drifted past and was gone, and how many of them there were was never on screen at once.

It is now one frame with the works index down the side of it and a carrier beside that holding a single idea. Everything in the place is listed at once, in whatever state it is in, and you pick. Twelve things is a short enough list to read in full, and reading it in full is the point: this is an inventory of unfinished work, and an inventory that hides its own length is flattering itself.

The card in the carrier is the same card it always was. Same material, same colours, same arrival — the block still resolves out of a bad signal rather than fading in — and the whole of it is the link into the idea. The frame around it is warmer and lighter than anything in it, because a bench and the instrument standing on it are not made of the same stuff, and pretending otherwise is how both end up looking like neither.

what a line means now

A line was the look of a card. It is now the look of a card and the language its own page is written in, named separately in content/lines.json, so the two can be tuned without disturbing each other.

A real thing gets a drawing sheet, and its page holds the plans open beside the notes rather than under them, because that is how a brief is actually read. A film or a book gets the frame it was already wearing, and its parts arrive as a running order with a line of billing on each. Everything else gets the screen, or the printed band. Add a line, name a material and a language, and it has a card and a page without anything in src/ changing.

what went

The map, the ticker, the big wordmark hero, the deliberate empty spaces between cards, and the footer. The index does the map's job for twelve things, and the strip along the foot of the frame does the footer's. Less to look at, more to read.

The plates

4 · lift any one out
The foundry floor at night. Seventeen ideas hang as pods from cables over a lake, with the lit workshop standing in front of them on the right, the works index down the left and the assembly line of tiles along the foot.
01 · The foundry floor at night
Night Walk House lifted into the carrier. The drawer is out on the right holding its card, the drawing sheet with the site plan on it, and its pod is lit and centred on the floor beside it.
02 · Night Walk House lifted into the carrier
The rig this replaced. The works index down the left with twelve ideas on it, and one of them loaded into the carrier on the right as a drawing sheet.
03 · The rig this replaced
The feed this replaced, entries drifting down the page with their line, status and update count.
04 · The feed this replaced

The log

5 updates

The feed is gone and the site is an apparatus. One frame, bolted at the corners, with the whole works index down the side and one idea held in a carrier beside it. Which one is in the carrier is in the address, so a card is a link you can send.

The cards did not change and were not meant to. They keep their materials, their colours and their arrival glitch, and the rig is a warmer, lighter world around them, because an instrument and the bench it sits on should not be made of the same stuff.

A line now names the language its own page is written in as well as the card it puts on the index, so a drawing gets a board with the plans held open beside the notes, and a film gets a frame and a running order.

The map went with the feed. Two views of twelve things was one more than twelve things needed.

The rig is gone and the site is a foundry floor at night. Every idea hangs as a pod over a lake, at one of three depths, and swings when you drag the floor; the workshop stands in front of them, so a pod going past the hall goes behind its steel. Picking one lifts its card into a drawer, the same card it always was, and which one is out is still in the address. Headlines are stamped in the cards' own stencil now, so the floor and everything hung on it are cut from one face.